Approved Camera List and Specs

Production houses are required to exclusively use cameras listed in the approved cameras list below while strictly following the preferred recording format specified

 

ARRI Cameras:

 

Camera Effective Pixels Preferred Recording Formats
ARRI Alexa LF 4.5K: 4448×3096 – ARRIRAW

– ProRes 4444 XQ

– ProRes 4444

ARRI Alexa Mini LF 4.5K: 4448×3096 – ARRIRAW

– ProRes 4444 XQ

– ProRes 4444

ARRI Alexa 65 6K:6560×3100 – ARRIRAW
ARRI Alexa 35 4.6K: 4608×3164 – ARRIRAW

– ProRes 4444 XQ

– ProRes 4444

 

Canon Cameras:

 

Camera Effective Pixels Preferred Recording Formats
Canon C300 Mk II 4K: 4096×2160 – Canon RAW

– XF-AVC (4K)

Canon C300 Mk III 4K: 4096×2160 – Cinema RAW Light

– XF-AVC (4K)

Canon C500 Mk II 5.9K: 5952×3140 – Cinema RAW Light

– XF-AVC (4K)

Canon C500 4K: 4096×2160 – Canon RAW

– XF-AVC (4K)

Canon C700 4K: 4096×2160

4.5K: 4512×2376

– Canon RAW

– XF-AVC (4K)

– ProRes HQ (4K)

Canon C700 FF RAW FF: 5952 x 3140

RAW 2.35: 5952×2532

4K: 4096 x 2160

UHD: 3840 x 2160

– Canon RAW

– XF-AVC (4K)

– ProRes HQ (4K)

Canon EOS C70 4K: 4096×2160 – Cinema RAW Light

– XF-AVC (4K)

Canon EOS R5 C 4K: 4096×2160 – XF-AVC (4K)

 

Red Cameras:

 

Camera Effective Pixels Preferred Recording Formats
All Red Cameras 4.5K: 4608×2160

5K: 5120×3000

6K: 6144×3160

8K: 8192×4320

 

– REDCODE RAW (up to 6:1)

– RECODE RAW (HQ or MQ)

Note: It’s preferred to film in the native recording format for each model.

 

Panasonic:

 

Camera Effective Pixels Preferred Recording Formats
Panasonic
VariCam 35
4K: 4096×2160 – V-RAW

– AVC-Intra4K

Panasonic
VariCam LT
4K: 4096×2160 – V-RAW

– AVC-Intra4K

Panasonic
VariCam Pure
4K: 4096×2160 – V-RAW
Panasonic AU-EVA1 4K: 4096×2160 – 422 All-I 400Mb/s*

*Firmware 2.02 or higher required

Panasonic S1H 4K: 4096×2160 – 422 All-I 400Mb/s
Panasonic BGH1 4K: 4096×2160 – 422 All-I 400Mb/s
Panasonic BS1H 4K: 4096×2160 – 422 All-I 400Mb/s

 

Sony Cameras:

 

Camera Effective Pixels Preferred Recording Formats
Sony Venice

Sony Venice 2 6K

6K: 6048×4032 – RAW (up to 4096×2160)

– X-OCN

– XAVC-I (4K)

Sony Venice 2 8K 8.6K: 8640×5760 – X-OCN RAW

– ProRes 422HQ (4K)

Sony Burano 8.6K: 8632×4856 – X-OCN RAW
Sony FX9 4K: 4096×2160 – XAVC-I (4K)
Sony F55 4K: 4096×2160 – F55RAW

– X-OCN

– XAVC-I (4K)

Sony F65 4K: 4096×2160 – F65RAW

– F65RAW-LITE

– XAVC-I (4K)

Sony FS7 / FS7 II 4K: 4096×2160 – XAVC-I (4K)
Sony F5 4K: 4096×2160 – XAVC-I (4K)*

*4K upgrade license required

Sony FX6 4K: 4096×2160 – XAVC-I (4K)
Sony FR7 4K: 4096×2160 – XAVC-I (4K)
Sony PXW-Z450 UHD: 3840×2160 – XAVC-I QFHD 300 mode
Sony PXW-Z750  

UHD: 3840×2160

– XAVC-I QFHD 300 mode
Sony FX3 UHD: 3840×2160 – XAVC S-I (4K)
Sony HDC-F5500 UHD: 3840×2160 –  Baseband Video

Blackmagic:

 

Camera Effective Pixels Preferred Recording Formats
Blackmagic Design URSA Mini 4.6K 4.6K: 4608×2592 – CinemaDNG RAW (up to 4:1)
Blackmagic Design URSA Mini Pro 4.6K 4.6K: 4608×2592 – Blackmagic RAW (up to 5:1)
Blackmagic Design URSA Mini PRO 4.6K G2 4.6K: 4608×2592 – Blackmagic RAW (up to 5:1)
Blackmagic Design URSA Mini PRO 12K OLPF 4.6K: 4608×2592 – Blackmagic RAW (up to 5:1)
Black Magic Pocket Cinema Camera 6K Pro 6K: 6144×3456 Blackmagic RAW (up to 5:1)
Black Magic Pocket Cinema Camera 6K G2

 

6K: 6144×3456

 

Blackmagic RAW (up to 5:1)

 

Drones :

 

Camera Effective Pixels Preferred Recording Formats
DJI Mavic 2 4K: 3840×2160 Dlog-M (HLG 10bit)

MOV (HEVC/H.265)

DJI Mavic 3 DCI 4K: 4096×2160 HLG/D-Log M:
10-bit 4:2:2 MOV (Apple ProRes 422 HQ/422
DJI Inspire 1/ 2 /3

ZENMUSE X5S

5.2K: 5280×2160 ProRes 422 HQ
RAW CinemaDNG
DJI 1/ 2 /3

ZENMUSE X5S

6K: 6016×3200 ProRes RAW 14-bit

RAW CinemaDNG 14bit

DJI Mini 4 4K: 3840×2160 HLG/D-Log M:
10-bit 4:2:0 (H.265)
DJI Phantom 4 Pro 4K:4096×2160 MP4/MOV (HEVC/H.265) @100Mbps

 

Others :

 

Camera Effective Pixels Preferred Recording Formats
Iphone 13 & up 4K (4096x 2160) Blackmagic Cam App:

Apple Proress 422

Go Pro 9 & up 5312 x 2988 (10bit) High Bitrate Go Pro Flat / Log Profile